This study documented and analyzed the choreographic structure of Sarimanok choreographed by Sir Jess de Paz through movement organization, spatial design, music, costumes, props, and dramaturgical progression. Using a qualitative descriptive approach, the study examined seven major scenes of the performance to identify how choreographic elements function cohesively in constructing the dance narrative. Data were gathered through repeated video observation, scene documentation, and movement analysis guided by selected concepts from Laban Movement Analysis (LMA).

Findings revealed that the choreography demonstrates a progressive development of movement and spatial organization, beginning with centralized and protective formations and transitioning into pursuit, confrontation, and climactic elevation. The performance integrates ballet, contemporary, ethnic-inspired, and acrobatic movement vocabularies, creating a hybrid choreographic system that supports both technical precision and expressive communication. Spatial arrangements such as circular, diagonal, linear, and symmetrical formations were consistently used to establish hierarchy, tension, and ensemble relationships. Costumes, props, and musical structures further reinforced rhythmic coordination, visual focus, and continuity across scenes.

The study concludes that Sarimanok is a systematically structured choreographic work where movement, space, rhythm, and production elements operate interdependently to construct narrative coherence and expressive performance.